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Goodbye

Goodbye

Drama · Thriller · 2019

Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.

Movie details

Goodbye

2019 Drama · Thriller 1h 50m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Goodbye?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Cape Fear

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Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

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Names above the title

The people responsible.

Directed by

Paco Cabezas

Written by

José Rodríguez · Carmen Jiménez

Mario Casas

Mario Casas

Juan

Natalia de Molina

Natalia de Molina

Triana

Ruth Díaz

Ruth Díaz

Eli

Carlos Bardem

Carlos Bardem

Santacana

Vicente Romero Sánchez

Vicente Romero Sánchez

Andrés

P

Paulina Fenoy

Estrella

Mauricio Morales

Mauricio Morales

Chico Santos

Court is in session

Put Goodbye on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.