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Coyote Ugly

Coyote Ugly

Comedy · Drama · Music · 2000

Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.

Movie details

Coyote Ugly

“Tonight, they're calling the shots.”

2000 Comedy · Drama · Music 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Coyote Ugly?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Bridget Jones: Mad About the Boy

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Names above the title

The people responsible.

Directed by

David McNally

Written by

Gina Wendkos

Piper Perabo

Piper Perabo

Violet Sanford (Jersey)

Maria Bello

Maria Bello

Lil

Bridget Moynahan

Bridget Moynahan

Rachel

Tyra Banks

Tyra Banks

Zoe

Izabella Miko

Izabella Miko

Cammie

John Goodman

John Goodman

Bill

LeAnn Rimes

LeAnn Rimes

LeAnn Rimes

Court is in session

Put Coyote Ugly on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.