“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Megan Is Missing
Drama · Horror · Thriller · 2011
Fourteen-year–old Megan and her best friend Amy spend a lot of time on the internet, posting videos of themselves and chatting with guys online. One night Megan chats with a guy named Josh who convinces her to meet him for a date. The next day, Megan is missing—forever. Based on actual cases of child abduction.
Megan Is Missing
“Megan and Amy are best friends. They share secrets. They chat with guys online. And in a few days, they will never be seen again.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
Fourteen-year–old Megan and her best friend Amy spend a lot of time on the internet, posting videos of themselves and chatting with guys online. One night Megan chats with a guy named Josh who convinces her to meet him for a date. The next day, Megan is missing—forever. Based on actual cases of child abduction.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Megan Is Missing?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Michael Goi
Written by
Michael Goi
Put Megan Is Missing on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.



