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Madeleine Collins

Madeleine Collins

Drama · Thriller · 2021

Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.

Movie details

Madeleine Collins

2021 Drama · Thriller 1h 42m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

1.8K votes

Rotten Tomatoes

92 %

Tomatometer

Metacritic

64 / 100

Metascore

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Madeleine Collins?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Antoine Barraud

Written by

Antoine Barraud · Héléna Klotz

Virginie Efira

Virginie Efira

Judith Fauvet

Quim Gutiérrez

Quim Gutiérrez

Abdel Soriano

Bruno Salomone

Bruno Salomone

Melvil Fauvet

L

Loïse Benguerel

Ninon Soriano

François Rostain

François Rostain

Francis

Jacqueline Bisset

Jacqueline Bisset

Patty

Thomas Gioria

Thomas Gioria

Joris Fauvet

Court is in session

Put Madeleine Collins on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.