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The Banshees of Inisherin

The Banshees of Inisherin

Drama · Comedy · 2022

Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.

Movie details

The Banshees of Inisherin

“Everything was fine yesterday.”

2022 Drama · Comedy 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Banshees of Inisherin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Adam & Paul

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Adam and Paul are two young junkies living in Dublin and perpetually on the lookout for their next fix. During their search, they encounter various unsavoury characters and make some futile attempts at petty theft. As their day progresses, Adam and Paul get into a good share of trouble as they do whatever they can to score heroin, eventually running afoul of an imposing thug—who only drags them into more shady activities.

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The Wind That Shakes the Barley

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Drama · 2006

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Where it lives

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Names above the title

The people responsible.

Directed by

Martin McDonagh

Written by

Martin McDonagh

Colin Farrell

Colin Farrell

Pádraic Súilleabháin

Brendan Gleeson

Brendan Gleeson

Colm Doherty

Kerry Condon

Kerry Condon

Siobhán Súilleabháin

Barry Keoghan

Barry Keoghan

Dominic Kearney

Gary Lydon

Gary Lydon

Peadar Kearney

Pat Shortt

Pat Shortt

Jonjo Devine

Sheila Flitton

Sheila Flitton

Mrs. McCormick

Court is in session

Put The Banshees of Inisherin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.