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Mr. Harrigan's Phone

Mr. Harrigan's Phone

Drama · Horror · Mystery · 2022

Craig, a young boy living in a small town befriends an older, reclusive billionaire, Mr. Harrigan. The two form a bond over books and an iPhone, but when the man passes away the boy discovers that not everything dead is gone.

Movie details

Mr. Harrigan's Phone

“Some connections never die.”

2022 Drama · Horror · Mystery 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Craig, a young boy living in a small town befriends an older, reclusive billionaire, Mr. Harrigan. The two form a bond over books and an iPhone, but when the man passes away the boy discovers that not everything dead is gone.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mr. Harrigan's Phone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Lee Hancock

Written by

John Lee Hancock

Donald Sutherland

Donald Sutherland

Mr. Harrigan

Jaeden Martell

Jaeden Martell

Craig

Kirby Howell-Baptiste

Kirby Howell-Baptiste

Ms. Hart

Joe Tippett

Joe Tippett

Craig's Dad

Cyrus Arnold

Cyrus Arnold

Kenny Yankovich

Conor William Wright

Conor William Wright

U-Boat

Alexa Shae Niziak

Alexa Shae Niziak

Margie

Court is in session

Put Mr. Harrigan's Phone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.