The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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Nobody Will Speak of Us When We're Dead
Drama · Thriller · 1995
Alcoholic prostitute Gloria is in the middle of a business deal with gangsters when a fatal confrontation occurs. She flees Mexico City, returning to her native Madrid, where she's reunited with her comatose husband and his mother, while hitman Eduardo is pursuing her to retrieve information.
Movie details
Nobody Will Speak of Us When We're Dead
1995 Drama · Thriller 1h 44m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
Alcoholic prostitute Gloria is in the middle of a business deal with gangsters when a fatal confrontation occurs. She flees Mexico City, returning to her native Madrid, where she's reunited with her comatose husband and his mother, while hitman Eduardo is pursuing her to retrieve information.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Nobody Will Speak of Us When We're Dead?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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The Ages of Lulu
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Wasteman
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Names above the title
The people responsible.
Cast & crew
Directed by
Agustín Díaz Yanes
Written by
Agustín Díaz Yanes
Victoria Abril
Gloria Duque
Pilar Bardem
Doña Julia
Federico Luppi
Eduardo
Á
Ángel Alcázar
Juan
María Asquerino
Esperanza
Fernando Delgado
Cura
Daniel Giménez Cacho
Oswaldo
Court is in session
Put Nobody Will Speak of Us When We're Dead on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.