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Our War Game

Our War Game

Adventure · Animation · Action · 2000

Spring break turns into a summer war when the evil Diaboromon wreaks havoc on the internet, and Tai and Matt must achieve a new Digivolution to defeat him! Will Tai and the Digidestined save the world, and will Sora ever forgive Tai for giving her a hair clip?

Movie details

Our War Game

2000 Adventure · Animation · Action 41m

Critical arithmetic

One number, for now.

TMDB

8.0 / 10

Community rating

Spring break turns into a summer war when the evil Diaboromon wreaks havoc on the internet, and Tai and Matt must achieve a new Digivolution to defeat him! Will Tai and the Digidestined save the world, and will Sora ever forgive Tai for giving her a hair clip?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Our War Game?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mamoru Hosoda

Written by

Reiko Yoshida

Toshiko Fujita

Toshiko Fujita

Taichi Yagami (voice)

Yuko Mizutani

Yuko Mizutani

Sora Takenouchi (voice)

Youto Kazama

Youto Kazama

Yamato Ishida (voice)

Umi Tenjin

Umi Tenjin

Kōshirō Izumi (voice)

Ai Maeda

Ai Maeda

Mimi Tachikawa (voice)

Hiroko Konishi

Hiroko Konishi

Takeru Takeshi (voice)

Masami Kikuchi

Masami Kikuchi

Jo Kido (voice)

Court is in session

Put Our War Game on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Popcorn Loyalist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.