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Blood on the Sun

Blood on the Sun

Action · Drama · War · 1945

Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time.

Movie details

Blood on the Sun

“Having a wonderful time In Tokyo!”

1945 Action · Drama · War 1h 34m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blood on the Sun?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Frank Lloyd

Written by

Lester Cole · Garrett Fort · Nathaniel Curtis

James Cagney

James Cagney

Nick Condon

Sylvia Sidney

Sylvia Sidney

Iris Hilliard

Porter Hall

Porter Hall

Arthur Bickett

John Emery

John Emery

Premier Gilchi Tanaka

Robert Armstrong

Robert Armstrong

Col Hideki Tojo

Wallace Ford

Wallace Ford

Ollie Miller

Rosemary DeCamp

Rosemary DeCamp

Edith Miller

Court is in session

Put Blood on the Sun on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.