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The Phantom of the Opera at the Royal Albert Hall

The Phantom of the Opera at the Royal Albert Hall

Music · Drama · Romance · 2011

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

Movie details

The Phantom of the Opera at the Royal Albert Hall

“The 25th anniversary of the first public performance of Phantom of the Opera.”

2011 Music · Drama · Romance 2h 40m

Critical arithmetic

One number, for now.

TMDB

8.3 / 10

Community rating

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Phantom of the Opera at the Royal Albert Hall?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Laurence Connor · Nick Morris

Written by

Richard Stilgoe · Andrew Lloyd Webber · Charles Hart

Ramin Karimloo

Ramin Karimloo

The Phantom

Sierra Boggess

Sierra Boggess

Christine Daae

Hadley Fraser

Hadley Fraser

Raoul

Wendy Ferguson

Wendy Ferguson

Carlotta Giudicelli

Barry James

Barry James

Monsieur Firmin

Gareth Snook

Gareth Snook

Monsieur André

Liz Robertson

Liz Robertson

Madame Giry

Court is in session

Put The Phantom of the Opera at the Royal Albert Hall on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.