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The Outrun

The Outrun

Drama · 2024

Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.

Movie details

The Outrun

“You can't outrun your fate”

2024 Drama 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Outrun?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Nora Fingscheidt

Written by

Amy Liptrot · Nora Fingscheidt · Daisy Lewis

Saoirse Ronan

Saoirse Ronan

Rona

Paapa Essiedu

Paapa Essiedu

Daynin

Nabil Elouahabi

Nabil Elouahabi

Samir

Izuka Hoyle

Izuka Hoyle

Gloria

Lauren Lyle

Lauren Lyle

Julie

Stephen Dillane

Stephen Dillane

Andrew

Saskia Reeves

Saskia Reeves

Annie

Court is in session

Put The Outrun on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.