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Wheel of Fortune and Fantasy

Wheel of Fortune and Fantasy

Drama · Romance · 2021

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Movie details

Wheel of Fortune and Fantasy

2021 Drama · Romance 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wheel of Fortune and Fantasy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Lower Depths

The Lower Depths

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Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Where it lives

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Names above the title

The people responsible.

Directed by

Ryusuke Hamaguchi

Written by

Ryusuke Hamaguchi

Kotone Furukawa

Kotone Furukawa

Meiko

Ayumu Nakajima

Ayumu Nakajima

Kazuaki

Hyunri

Hyunri

Tsugumi

Kiyohiko Shibukawa

Kiyohiko Shibukawa

Segawa

Katsuki Mori

Katsuki Mori

Nao

Shouma Kai

Shouma Kai

Sasaki

Fusako Urabe

Fusako Urabe

Natsuko

Court is in session

Put Wheel of Fortune and Fantasy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.