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Martyrs Lane

Martyrs Lane

Horror · 2022

Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.

Movie details

Martyrs Lane

“A ghost story.”

2022 Horror 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Martyrs Lane?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Oblong Box

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Good Boy

Good Boy

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A loyal dog moves to a rural family home with his owner Todd, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.

The Blob

The Blob

Horror · 1958

A drive-in favorite, this sci-fi classic follows teenagers Steve and his best girl, Jane, as they try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, Steve and Jane witness the blob destroying an elderly man, then it growing to a terrifying size. But no one else has seen the goo, and policeman Dave refuses to believe the kids without proof.

undertone

undertone

Horror · 2026

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

The Brides of Dracula

The Brides of Dracula

Horror · 1960

A young teacher on her way to a position in Transylvania helps a young man escape the shackles his mother has put on him. In so doing she innocently unleashes the horrors of the undead once again on the populace, including those at her school for ladies. Luckily for some, Dr. Van Helsing is already on his way.

The Mummy

The Mummy

Horror · 1932

An ancient Egyptian priest named Imhotep is revived when a British archaeological expedition finds his mummy and one of the researchers accidentally reads an ancient life-giving spell. Imhotep escapes from the field site and searches for the reincarnation of the soul of his lover.

The Asphyx

The Asphyx

Fantasy · 1972

Hugo is a brilliant turn-of-the-century scientist, loved and respected by his family and friends, admired by his colleagues. But he is a man quickly becoming obsessed with a curious and frightening question...What is the mysterious apparition found in the photographs of his dying subjects?

The Cellar

The Cellar

Horror · 2022

When Keira Woods' daughter mysteriously vanishes in the cellar of their new house in the country, she soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family's souls forever.

House on Haunted Hill

House on Haunted Hill

Horror · 1959

Frederick Loren invites five strangers to the party of a lifetime and offers each of them $10,000 if they can stay the night in the reportedly haunted house. Armed with a gun for protection, each guest arrives in a hearse and will either leave in it much richer…Or dead.

Where it lives

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Names above the title

The people responsible.

Directed by

Ruth Platt

Written by

Ruth Platt

Kiera Thompson

Kiera Thompson

Leah

Denise Gough

Denise Gough

Sarah

Sienna Sayer

Sienna Sayer

Rachel

Steven Cree

Steven Cree

Thomas

Hannah Rae

Hannah Rae

Bex

Anastasia Hille

Anastasia Hille

Lillian

Donna Banya

Donna Banya

Kyla

Court is in session

Put Martyrs Lane on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.