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Z-O-M-B-I-E-S 3

Z-O-M-B-I-E-S 3

Fantasy · Comedy · Family · 2022

Zed and Addison are beginning their final year at Seabrook High in the town that’s become a safe haven for monsters and humans alike. Zed is anticipating an athletic scholarship that will make him the first Zombie to attend college, while Addison is gearing up for Seabrook’s first international cheer-off competition. Then suddenly, extraterrestrial beings appear around Seabrook, provoking something other than friendly competition.

Movie details

Z-O-M-B-I-E-S 3

“They beam down. We rise up.”

2022 Fantasy · Comedy · Family 1h 28m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Zed and Addison are beginning their final year at Seabrook High in the town that’s become a safe haven for monsters and humans alike. Zed is anticipating an athletic scholarship that will make him the first Zombie to attend college, while Addison is gearing up for Seabrook’s first international cheer-off competition. Then suddenly, extraterrestrial beings appear around Seabrook, provoking something other than friendly competition.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Z-O-M-B-I-E-S 3?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Hoen

Written by

David Light · Joseph Raso

Meg Donnelly

Meg Donnelly

Addison

Milo Manheim

Milo Manheim

Zed

Chandler Kinney

Chandler Kinney

Willa

Trevor Tordjman

Trevor Tordjman

Bucky

Pearce Joza

Pearce Joza

Wyatt

Ariel Martin

Ariel Martin

Wynter

Matt Cornett

Matt Cornett

A-Lan

Court is in session

Put Z-O-M-B-I-E-S 3 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.