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Never Let Go

Never Let Go

Horror · 2024

As an evil takes over the world beyond their front doorstep, the only protection for a mother and her twin sons is their house and their family’s protective bond.

Movie details

Never Let Go

“One touch is all it takes.”

2024 Horror 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

As an evil takes over the world beyond their front doorstep, the only protection for a mother and her twin sons is their house and their family’s protective bond.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Never Let Go?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Color Out of Space

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The Gardner family moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard, melts into the earth, and infects both the land and the properties of space-time with a strange, otherworldly colour. To their horror, the family discovers this alien force is gradually mutating every life form that it touches—including them.

Where it lives

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Names above the title

The people responsible.

Directed by

Alexandre Aja

Written by

Ryan Grassby · Kevin Coughlin

Halle Berry

Halle Berry

Momma

Anthony B. Jenkins

Anthony B. Jenkins

Samuel

William Catlett

William Catlett

Father

Percy Daggs IV

Percy Daggs IV

Nolan

Matthew Kevin Anderson

Matthew Kevin Anderson

The Stranger

Christin Park

Christin Park

Paramedic

Stephanie Lavigne

Stephanie Lavigne

The Evil

Court is in session

Put Never Let Go on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.