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The Countess

The Countess

Drama · History · Thriller · 2009

Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.

Movie details

The Countess

“She sacrificed all for love and others for beauty”

2009 Drama · History · Thriller 1h 40m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

8.8K votes

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Countess?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Julie Delpy

Written by

Julie Delpy

Julie Delpy

Julie Delpy

Erzsébet Báthory

Daniel Brühl

Daniel Brühl

István Thurzó

William Hurt

William Hurt

György Thurzó

Anamaria Marinca

Anamaria Marinca

Darvulia

Maria Simon

Maria Simon

Helena

Sebastian Blomberg

Sebastian Blomberg

Dominic Vizakna

Adriana Altaras

Adriana Altaras

Aunt Klara

Court is in session

Put The Countess on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.