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Von Richthofen and Brown

Von Richthofen and Brown

War · Drama · Action · 1971

Spend time on both sides of World War I, partly with German flying ace Baron Manfred Von Richthofen (John Phillip Law), aka "The Red Baron," and his colorful "flying circus" of Fokker fighter planes, during the time from his arrival at the war front to his death in combat. On the other side is Roy Brown of the Royal Air Force, sometimes credited with shooting Richthofen down.

Movie details

Von Richthofen and Brown

“On April 21, 1918, the Red Baron of Germany and the Black Sheep of the R.A.F. met in the skies of France for the last time!”

1971 War · Drama · Action 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Spend time on both sides of World War I, partly with German flying ace Baron Manfred Von Richthofen (John Phillip Law), aka "The Red Baron," and his colorful "flying circus" of Fokker fighter planes, during the time from his arrival at the war front to his death in combat. On the other side is Roy Brown of the Royal Air Force, sometimes credited with shooting Richthofen down.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Von Richthofen and Brown?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roger Corman

Written by

John William Corrington · Joyce Hooper Corrington

John Phillip Law

John Phillip Law

Baron Manfred von Richthofen

Don Stroud

Don Stroud

Roy Brown

Barry Primus

Barry Primus

Hermann Goering

Corin Redgrave

Corin Redgrave

Major Lanoe Hawker VC

Karen Ericson

Karen Ericson

Ilse

Hurd Hatfield

Hurd Hatfield

Anthony Fokker

Stephen McHattie

Stephen McHattie

Werner Voss

Court is in session

Put Von Richthofen and Brown on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.