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Francesco

Francesco

Drama · History · 1989

The life of St. Francis of Assisi (1181-1226) as related by followers who gather after his death to tell stories so that Leone can record them: a privileged and virile youth, a prisoner of war, an heir who turns away from his father and gives all to the poor, a beggar for others, and an inspiration to friends who accept the Gospels' life of poverty.

Movie details

Francesco

1989 Drama · History 2h 37m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The life of St. Francis of Assisi (1181-1226) as related by followers who gather after his death to tell stories so that Leone can record them: a privileged and virile youth, a prisoner of war, an heir who turns away from his father and gives all to the poor, a beggar for others, and an inspiration to friends who accept the Gospels' life of poverty.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Francesco?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Liliana Cavani

Written by

Liliana Cavani · Roberta Mazzoni

Mickey Rourke

Mickey Rourke

Francesco

Helena Bonham Carter

Helena Bonham Carter

Chiara

Andréa Ferréol

Andréa Ferréol

Francesco's Mother

N

Nikolaus Dutsch

Cardinal Colonna

Peter Berling

Peter Berling

Bishop Guido

Hanns Zischler

Hanns Zischler

Pope Innocent III

Mario Adorf

Mario Adorf

Cardinal Ugolino

Court is in session

Put Francesco on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.