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WarGames

WarGames

Drama · Science Fiction · Thriller · 1983

High school student David Lightman has a talent for hacking. But while trying to hack into a computer system to play unreleased video games, he unwittingly taps into the Department of Defense's war computer and initiates a confrontation of global proportions. Together with his friend and a wizardly computer genius, David must race against time to outwit his opponent and prevent a nuclear Armageddon.

Movie details

WarGames

“Is it a game, or is it real?”

1983 Drama · Science Fiction · Thriller 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

High school student David Lightman has a talent for hacking. But while trying to hack into a computer system to play unreleased video games, he unwittingly taps into the Department of Defense's war computer and initiates a confrontation of global proportions. Together with his friend and a wizardly computer genius, David must race against time to outwit his opponent and prevent a nuclear Armageddon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over WarGames?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Badham

Written by

Lawrence Lasker · Walter F. Parkes

Matthew Broderick

Matthew Broderick

David Lightman

Dabney Coleman

Dabney Coleman

McKittrick

John Wood

John Wood

Stephen Falken

Ally Sheedy

Ally Sheedy

Jennifer

Barry Corbin

Barry Corbin

General Beringer

Juanin Clay

Juanin Clay

Pat Healy

Kent Williams

Kent Williams

Cabot

Court is in session

Put WarGames on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.