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Darby and the Dead

Darby and the Dead

Comedy · Fantasy · Drama · 2022

After Darby Harper suffered a near-death experience as a child, she gained the ability to see ghosts. To combat the existential boredom of high school, she runs a side business counseling local spirits in her spare time. When an unexpected occurrence happens between Darby and Capri, the most popular girl at her high school, Darby reluctantly agrees to help her and in the process learns how to fit in with the living world again.

Movie details

Darby and the Dead

“Ghosted but not gone.”

2022 Comedy · Fantasy · Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After Darby Harper suffered a near-death experience as a child, she gained the ability to see ghosts. To combat the existential boredom of high school, she runs a side business counseling local spirits in her spare time. When an unexpected occurrence happens between Darby and Capri, the most popular girl at her high school, Darby reluctantly agrees to help her and in the process learns how to fit in with the living world again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Darby and the Dead?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Silas Howard

Written by

Wenonah Wilms · Becca Greene

Asher Angel

Asher Angel

James

Riele Downs

Riele Downs

Darby Harper

Auliʻi Cravalho

Auliʻi Cravalho

Capri Donahue

Chosen Jacobs

Chosen Jacobs

Alex

Wayne Knight

Wayne Knight

Mel

Derek Luke

Derek Luke

Ben

Tony Danza

Tony Danza

Gary

Court is in session

Put Darby and the Dead on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.