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Broken Blossoms or The Yellow Man and the Girl

Broken Blossoms or The Yellow Man and the Girl

Drama · Romance · 1919

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

Movie details

Broken Blossoms or The Yellow Man and the Girl

“A tale of forbidden love.”

1919 Drama · Romance 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Broken Blossoms or The Yellow Man and the Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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China Girl

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Where it lives

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Names above the title

The people responsible.

Directed by

D.W. Griffith

Written by

D.W. Griffith

Lillian Gish

Lillian Gish

Lucy Burrows

Richard Barthelmess

Richard Barthelmess

Cheng Huan

Donald Crisp

Donald Crisp

Battling Burrows

A

Arthur Howard

Burrows' Manager

Edward Peil Sr.

Edward Peil Sr.

Evil Eye

George Beranger

George Beranger

The Spying One

Norman Selby

Norman Selby

A Prizefighter

Court is in session

Put Broken Blossoms or The Yellow Man and the Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.