“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The April Fools
Drama · Comedy · Romance · 1969
Newly-promoted if none too happily married Howard Brubaker leaves a rowdy company party early with the stunning Catherine, whom it turns out is herself unhappily married — to the boss. They spend an innocent night in New York becoming more and more attracted to each other, so that when Catherine announces she intends to leave her husband and return to Paris, Howard asks to go along too.
The April Fools
“He has a wife. She has a husband. With so much in common they just have to fall in love.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
Newly-promoted if none too happily married Howard Brubaker leaves a rowdy company party early with the stunning Catherine, whom it turns out is herself unhappily married — to the boss. They spend an innocent night in New York becoming more and more attracted to each other, so that when Catherine announces she intends to leave her husband and return to Paris, Howard asks to go along too.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The April Fools?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Stuart Rosenberg
Written by
Hal Dresner
Put The April Fools on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






