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Blood: The Last Vampire

Blood: The Last Vampire

Animation · Fantasy · Horror · 2000

In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.

Movie details

Blood: The Last Vampire

“Where evil grows, she preys.”

2000 Animation · Fantasy · Horror 48m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blood: The Last Vampire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hiroyuki Kitakubo

Written by

Kenji Kamiyama

Youki Kudoh

Youki Kudoh

Saya (voice)

Saemi Nakamura

Saemi Nakamura

Nurse Makiho Caroline Amano (voice)

Joe Romersa

Joe Romersa

David (voice)

Rebecca Forstadt

Rebecca Forstadt

Sharon (voice)

Tom Fahn

Tom Fahn

Teacher (voice)

Fitz Houston

Fitz Houston

S.P. #1 (voice)

Paul Carr

Paul Carr

School Headmaster (voice)

Court is in session

Put Blood: The Last Vampire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.