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Last Man Standing

Last Man Standing

Action · Crime · 1996

John Smith is a mysterious stranger who is drawn into a vicious war between two Prohibition-era gangs. In a dangerous game, he switches allegiances from one to another, offering his services to the highest bidder. As the death toll mounts, Smith takes the law into his own hands in a deadly race to stay alive.

Movie details

Last Man Standing

“In a town with no justice, there is only one law... Every man for himself.”

1996 Action · Crime 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

John Smith is a mysterious stranger who is drawn into a vicious war between two Prohibition-era gangs. In a dangerous game, he switches allegiances from one to another, offering his services to the highest bidder. As the death toll mounts, Smith takes the law into his own hands in a deadly race to stay alive.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Last Man Standing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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El Gringo

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Al Capone

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The Getaway

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Scarface

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Names above the title

The people responsible.

Directed by

Walter Hill

Written by

Walter Hill

Bruce Willis

Bruce Willis

John Smith

Bruce Dern

Bruce Dern

Sheriff Ed Galt

William Sanderson

William Sanderson

Joe Monday

Christopher Walken

Christopher Walken

Hickey

David Patrick Kelly

David Patrick Kelly

Doyle

Karina Lombard

Karina Lombard

Felina

Ned Eisenberg

Ned Eisenberg

Fredo Strozzi

Court is in session

Put Last Man Standing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.