The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Je Tu Il Elle
Drama · Romance · 1974
A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.
Movie details
Je Tu Il Elle
1974 Drama · Romance 1h 26m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Je Tu Il Elle?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Happiness
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Though married to the good-natured, beautiful Thérèse, young husband and father François finds himself falling unquestioningly into an affair with an attractive postal worker.
Hounddog
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A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.
Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Chantal Akerman
Written by
Chantal Akerman · Paul Paquay · Eric de Kuyper
Chantal Akerman
Julie
Niels Arestrup
Truck Driver
Claire Wauthion
Girlfriend
Court is in session
Put Je Tu Il Elle on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.