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Look Who's Talking

Look Who's Talking

Comedy · Romance · 1989

After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn baby is narrated through voice-over.

Movie details

Look Who's Talking

“He's hip, he's cool, and he's only 3 months old.”

1989 Comedy · Romance 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn baby is narrated through voice-over.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Look Who's Talking?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Valentine's Day

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Where it lives

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Names above the title

The people responsible.

Directed by

Amy Heckerling

Written by

Amy Heckerling

John Travolta

John Travolta

James

Kirstie Alley

Kirstie Alley

Mollie

Olympia Dukakis

Olympia Dukakis

Rosie

George Segal

George Segal

Albert

Abe Vigoda

Abe Vigoda

Grandpa

Bruce Willis

Bruce Willis

Mikey (voice)

Twink Caplan

Twink Caplan

Rona

Court is in session

Put Look Who's Talking on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.