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The Killing of America

The Killing of America

Documentary · Crime · 1981

A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States. Featuring a juxtaposition of detailed accounts of terrible acts, brutal behavior, and interviews from experts and convicted killers alike.

Movie details

The Killing of America

“The film the American authorities didn't want you to see!”

1981 Documentary · Crime 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States. Featuring a juxtaposition of detailed accounts of terrible acts, brutal behavior, and interviews from experts and convicted killers alike.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Killing of America?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sheldon Renan

Written by

Leonard Schrader · Chieko Schrader

C

Chuck Riley

Self - Narrator (voice)

E

Ed Dorris

Self

Thomas Noguchi

Thomas Noguchi

Self

Sirhan Sirhan

Sirhan Sirhan

Self

Wayne Henley

Wayne Henley

Self

Ed Kemper

Ed Kemper

Self

Susan Atkins

Susan Atkins

Self (archive footage)

Court is in session

Put The Killing of America on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.