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Hollywood Ending

Hollywood Ending

Comedy · Drama · 2002

Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.

Movie details

Hollywood Ending

“It's going to be a shot in the dark!”

2002 Comedy · Drama 1h 52m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

28.4K votes

Rotten Tomatoes

47 %

Tomatometer

Metacritic

46 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hollywood Ending?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Woody Allen

Written by

Woody Allen

Woody Allen

Woody Allen

Val

George Hamilton

George Hamilton

Ed

Téa Leoni

Téa Leoni

Ellie

Debra Messing

Debra Messing

Lori

Mark Rydell

Mark Rydell

Al

Treat Williams

Treat Williams

Hal

Jodie Markell

Jodie Markell

Andrea Ford

Court is in session

Put Hollywood Ending on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.