The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Eraserhead
Horror · Science Fiction · 1977
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Movie details
Eraserhead
“Where your nightmares end...”
1977 Horror · Science Fiction 1h 29m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.3 / 10
Community rating
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Eraserhead?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
David Lynch
Written by
David Lynch
Jack Nance
Henry Spencer
Charlotte Stewart
Mary X
Allen Joseph
Mr. X
Jeanne Bates
Mrs. X
Judith Roberts
Beautiful Girl Across the Hall
Laurel Near
Lady in the Radiator
Jack Fisk
Man in the Planet
Court is in session
Put Eraserhead on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.