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Just the Two of Us

Just the Two of Us

Thriller · Drama · Romance · 2023

When Blanche meets Grégoire, she thinks she has found the one. The ties that bind them grow quickly, and a passionate affair ensues. Together, they relocate. For Blanche, far from her family, from her twin sister, Rose, a new life begins. But little by little, she finds herself caught in the grip of a deeply possessive and dangerous man.

Movie details

Just the Two of Us

2023 Thriller · Drama · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

When Blanche meets Grégoire, she thinks she has found the one. The ties that bind them grow quickly, and a passionate affair ensues. Together, they relocate. For Blanche, far from her family, from her twin sister, Rose, a new life begins. But little by little, she finds herself caught in the grip of a deeply possessive and dangerous man.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Just the Two of Us?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Gervaise

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Tyler Perry's Duplicity

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Names above the title

The people responsible.

Directed by

Valérie Donzelli

Written by

Valérie Donzelli · Audrey Diwan

Virginie Efira

Virginie Efira

Blanche Renard / Rose Renard

Melvil Poupaud

Melvil Poupaud

Grégoire Lamoureux

Dominique Reymond

Dominique Reymond

The Lawyer

Romane Bohringer

Romane Bohringer

Delphine

Virginie Ledoyen

Virginie Ledoyen

Candice

Marie Rivière

Marie Rivière

Blanche’s Mother

Guang Huo

Guang Huo

Tony

Court is in session

Put Just the Two of Us on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.