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Key Largo

Key Largo

Crime · Thriller · 1948

A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.

Movie details

Key Largo

“A storm of fear and fury in the sizzling Florida Keys!”

1948 Crime · Thriller 1h 40m

Critical arithmetic

The consensus, allegedly.

IMDb

7.7 / 10

46.1K votes

Rotten Tomatoes

97 %

Tomatometer

Metacritic

74 / 100

Metascore

TMDB

7.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Key Largo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Drama · 1945

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Where it lives

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Names above the title

The people responsible.

Directed by

John Huston

Written by

Richard Brooks · John Huston

Humphrey Bogart

Humphrey Bogart

Frank McCloud

Edward G. Robinson

Edward G. Robinson

Johnny Rocco

Lauren Bacall

Lauren Bacall

Nora Temple

Thomas Gomez

Thomas Gomez

Richard 'Curly' Hoff

Lionel Barrymore

Lionel Barrymore

James Temple

Harry Lewis

Harry Lewis

Edward 'Toots' Bass

D

Dan Seymour

Angel Garcia

Court is in session

Put Key Largo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.