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Scarface

Scarface

Action · Crime · Drama · 1983

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

Movie details

Scarface

“He loved the American Dream. With a vengeance.”

1983 Action · Crime · Drama 2h 50m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Scarface?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Brian De Palma

Written by

Oliver Stone

Al Pacino

Al Pacino

Tony Montana

Steven Bauer

Steven Bauer

Manny Ray

Michelle Pfeiffer

Michelle Pfeiffer

Elvira

Mary Elizabeth Mastrantonio

Mary Elizabeth Mastrantonio

Gina

Robert Loggia

Robert Loggia

Frank Lopez

Miriam Colon

Miriam Colon

Mama Montana

F. Murray Abraham

F. Murray Abraham

Omar

Court is in session

Put Scarface on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.