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El padrino: The Latin Godfather

El padrino: The Latin Godfather

Action · Crime · Drama · 2004

In the streets of East Los Angeles, Manny is a formidable drug dealer. Impressed by his extravagant lifestyle and prowess, his young son, Kilo, yearns to follow in his footsteps. Kilo resolves to learn how to prosper in the drug world, and his new life as a dealer begins. In a world where a man wants everything, he may end up with nothing.

Movie details

El padrino: The Latin Godfather

2004 Action · Crime · Drama 2h 8m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In the streets of East Los Angeles, Manny is a formidable drug dealer. Impressed by his extravagant lifestyle and prowess, his young son, Kilo, yearns to follow in his footsteps. Kilo resolves to learn how to prosper in the drug world, and his new life as a dealer begins. In a world where a man wants everything, he may end up with nothing.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over El padrino: The Latin Godfather?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Damian Chapa

Written by

Troy Barker · Carlton Holder · Damian Chapa · Aaron pugliese

Damian Chapa

Damian Chapa

Kilo

Sal Lopez

Sal Lopez

Loco

Emilio Rivera

Emilio Rivera

Rudy

Jennifer Tilly

Jennifer Tilly

Sebeva

Faye Dunaway

Faye Dunaway

Atty. Gen. Navarro

Joanna Pacula

Joanna Pacula

Jessica Lancaster

Ismael 'East' Carlo

Ismael 'East' Carlo

Manny

Court is in session

Put El padrino: The Latin Godfather on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.