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Hitchcock

Hitchcock

Drama · 2012

Following his great success with "North by Northwest," director Alfred Hitchcock makes a daring choice for his next project: an adaptation of Robert Bloch's novel "Psycho." When the studio refuses to back the picture, Hitchcock decides to pay for it himself in exchange for a percentage of the profits. His wife, Alma Reville, has serious reservations about the film but supports him nonetheless. Still, the production strains the couple's marriage.

Movie details

Hitchcock

“Behind every Psycho is a great woman.”

2012 Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Following his great success with "North by Northwest," director Alfred Hitchcock makes a daring choice for his next project: an adaptation of Robert Bloch's novel "Psycho." When the studio refuses to back the picture, Hitchcock decides to pay for it himself in exchange for a percentage of the profits. His wife, Alma Reville, has serious reservations about the film but supports him nonetheless. Still, the production strains the couple's marriage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hitchcock?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sacha Gervasi

Written by

John J. McLaughlin

Anthony Hopkins

Anthony Hopkins

Alfred Hitchcock

Helen Mirren

Helen Mirren

Alma Reville

Scarlett Johansson

Scarlett Johansson

Janet Leigh

Danny Huston

Danny Huston

Whitfield Cook

Toni Collette

Toni Collette

Peggy Robertson

Michael Stuhlbarg

Michael Stuhlbarg

Lew Wasserman

Michael Wincott

Michael Wincott

Ed Gein

Court is in session

Put Hitchcock on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.