“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

Miami Blues
Crime · Thriller · Comedy · 1990
After Junior is released from prison, he plans on starting a new life in Miami. But when he kills a man in the airport, he flees the scene and finds Susie, a mild-mannered prostitute searching for stability. The two opposites become romantically involved, and Junior steals a badge and gun from a veteran detective. Using the officer's identity, Junior embarks on a crime spree and convinces Susie that he is the perfect man.
Miami Blues
“Real badge. Real gun. Fake cop.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
After Junior is released from prison, he plans on starting a new life in Miami. But when he kills a man in the airport, he flees the scene and finds Susie, a mild-mannered prostitute searching for stability. The two opposites become romantically involved, and Junior steals a badge and gun from a veteran detective. Using the officer's identity, Junior embarks on a crime spree and convinces Susie that he is the perfect man.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Miami Blues?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
George Armitage
Written by
George Armitage
Put Miami Blues on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.






