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Space Is the Place

Space Is the Place

Science Fiction · Music · 1974

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

Movie details

Space Is the Place

1974 Science Fiction · Music 1h 21m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Space Is the Place?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Southbound

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The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.

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Resident Evil: Extinction

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Names above the title

The people responsible.

Directed by

John Coney

Written by

Sun Ra · Joshua Smith

Sun Ra

Sun Ra

Sun Ra

B

Barbara Deloney

Candy

E

Erika Leder

Tania

Jack Baker

Jack Baker

Bubbles (as John Bailey)

W

Walter Burns

Agent #1

Morgan Upton

Morgan Upton

Agent #2

L

La Shaa Stallings

Bertha

Court is in session

Put Space Is the Place on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.