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The Private Lives of Elizabeth and Essex

The Private Lives of Elizabeth and Essex

Drama · History · Romance · 1939

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England.

Movie details

The Private Lives of Elizabeth and Essex

“Elizabeth I's love for the Earl of Essex threatens to destroy her kingdom.”

1939 Drama · History · Romance 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Private Lives of Elizabeth and Essex?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Curtiz

Written by

Æneas MacKenzie · Norman Reilly Raine

Bette Davis

Bette Davis

Queen Elizabeth

Errol Flynn

Errol Flynn

The Earl of Essex

Olivia de Havilland

Olivia de Havilland

Lady Penelope Gray

Donald Crisp

Donald Crisp

Francis Bacon

Alan Hale

Alan Hale

The Prince of Tyrone

Vincent Price

Vincent Price

Sir Walter Raleigh

Henry Stephenson

Henry Stephenson

Lord Burghley

Court is in session

Put The Private Lives of Elizabeth and Essex on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.