“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

Moon
Science Fiction · Drama · 2009
With only three weeks left in his three-year contract, Sam Bell is eager to return to Earth. Stationed alone at a Moon-based facility with his computer assistant GERTY, an unexpected accident sets off a series of unsettling events that shake his isolation.
Moon
“250,000 miles from home, the hardest thing to face... is yourself.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.6 / 10
Community rating
With only three weeks left in his three-year contract, Sam Bell is eager to return to Earth. Stationed alone at a Moon-based facility with his computer assistant GERTY, an unexpected accident sets off a series of unsettling events that shake his isolation.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Moon?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Duncan Jones
Written by
Nathan Parker · Duncan Jones
Put Moon on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.






