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Ad Astra

Ad Astra

Science Fiction · Drama · 2019

The near future, a time when both hope and hardships drive humanity to look to the stars and beyond. While a mysterious phenomenon menaces to destroy life on planet Earth, astronaut Roy McBride undertakes a mission across the immensity of space and its many perils to uncover the truth about a lost expedition that decades before boldly faced emptiness and silence in search of the unknown.

Movie details

Ad Astra

“The answers we seek are just outside our reach.”

2019 Science Fiction · Drama 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

The near future, a time when both hope and hardships drive humanity to look to the stars and beyond. While a mysterious phenomenon menaces to destroy life on planet Earth, astronaut Roy McBride undertakes a mission across the immensity of space and its many perils to uncover the truth about a lost expedition that decades before boldly faced emptiness and silence in search of the unknown.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ad Astra?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

James Gray

Written by

James Gray · Ethan Gross

Brad Pitt

Brad Pitt

Roy McBride

Tommy Lee Jones

Tommy Lee Jones

H. Clifford McBride

Liv Tyler

Liv Tyler

Eve

Ruth Negga

Ruth Negga

Helen Lantos

Donald Sutherland

Donald Sutherland

Thomas Pruitt

Kimberly Elise

Kimberly Elise

Lorraine Deavers

Loren Dean

Loren Dean

Donald Stanford

Court is in session

Put Ad Astra on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.