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Godzilla vs. Biollante

Godzilla vs. Biollante

Action · Horror · Science Fiction · 1989

After the previous Godzilla attack, a miniature arms race ensues to collect his cells. Concerned over Godzilla's possible return, the Japanese government uses the cells to create a new bio-weapon, ANEB (Anti-Nuclear Energy Bacteria). They seeks the aid of geneticist Genshiro Shiragami, who's experiments result in a new mutation.

Movie details

Godzilla vs. Biollante

“The winner of this battle would be the most enormous enemy against human beings.”

1989 Action · Horror · Science Fiction 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

After the previous Godzilla attack, a miniature arms race ensues to collect his cells. Concerned over Godzilla's possible return, the Japanese government uses the cells to create a new bio-weapon, ANEB (Anti-Nuclear Energy Bacteria). They seeks the aid of geneticist Genshiro Shiragami, who's experiments result in a new mutation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Godzilla vs. Biollante?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kazuki Ōmori

Written by

Kazuki Ōmori · Shinichi Sekizawa · Shinichiro Kobayashi

Kunihiko Mitamura

Kunihiko Mitamura

Kazuhito Kirishima

Yoshiko Tanaka

Yoshiko Tanaka

Asuka Okouchi

Masanobu Takashima

Masanobu Takashima

Major Sho Kuroki

Kōji Takahashi

Kōji Takahashi

Genshiro Shiragami

Toru Minegishi

Toru Minegishi

Lieutenant Goro Gondo

Megumi Odaka

Megumi Odaka

Miki Saegusa

Toshiyuki Nagashima

Toshiyuki Nagashima

Director Seiichi Yamamoto

Court is in session

Put Godzilla vs. Biollante on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.