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Frankenstein Conquers the World

Frankenstein Conquers the World

Horror · Science Fiction · 1965

During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.

Movie details

Frankenstein Conquers the World

“A fearsome kaijin? A mad new antagonistic kaiju? A golden entertainment epic of Japan-U.S. collaboration!”

1965 Horror · Science Fiction 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Frankenstein Conquers the World?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ishirō Honda

Written by

Takeshi Kimura · Reuben Bercovitch · Jerry Sohl

Tadao Takashima

Tadao Takashima

Dr. Yuzo Kawaji

Nick Adams

Nick Adams

Dr. James Bowen

Kumi Mizuno

Kumi Mizuno

Dr. Sueko Togami

Yoshio Tsuchiya

Yoshio Tsuchiya

Daigo Kawai

K

Koji Furuhata

Frankenstein

Jun Tazaki

Jun Tazaki

Hideo Nishi, Director of the Okayama Prefectural Police

Susumu Fujita

Susumu Fujita

Osaka Prefectural Police Chief

Court is in session

Put Frankenstein Conquers the World on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.