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The Hit

The Hit

Drama · Thriller · Crime · 1984

Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

Movie details

The Hit

“Even bad guys have bad days.”

1984 Drama · Thriller · Crime 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Hit?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A former mob getaway driver from Chicago has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job - to drive a dangerous crook and his girlfriend to France.

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After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.

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One Night in Bangkok

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A hit man named Kai flies into Bangkok, gets a gun, and orders a cab. He offers a professional female driver big money to be his all-night driver. But when she realizes Kai is committing brutal murders at each stop, it's too late to walk away. Meanwhile, an offbeat police detective races to decode the string of slayings before more blood is spilled.

John Doe: Vigilante

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Assault on Precinct 13

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Names above the title

The people responsible.

Directed by

Stephen Frears

Written by

Peter Prince

John Hurt

John Hurt

Braddock

Terence Stamp

Terence Stamp

Willie Parker

Tim Roth

Tim Roth

Myron

Laura del Sol

Laura del Sol

Maggie

Bill Hunter

Bill Hunter

Harry

Fernando Rey

Fernando Rey

Policeman

Jim Broadbent

Jim Broadbent

Barrister

Court is in session

Put The Hit on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.