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Capturing the Friedmans

Capturing the Friedmans

Documentary · Crime · 2003

An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.

Movie details

Capturing the Friedmans

“Who do you believe?”

2003 Documentary · Crime 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Capturing the Friedmans?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Andrew Jarecki

A

Arnold Friedman

Self (archive footage)

E

Elaine Friedman

Self

D

David Friedman

Self

Jesse Friedman

Jesse Friedman

Self

S

Seth Friedman

Self (archive footage)

J

John McDermott

Self - Postal Inspector

F

Frances Galasso

Self - Ret. Director, Sex Crimes Unit

Court is in session

Put Capturing the Friedmans on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.