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Dolls

Dolls

Fantasy · Horror · 1987

A precocious girl, her nasty parents, two punk-rock losers and a weak-kneed salesman inadvertently become the guests of two ghoulish senior citizens in their dark, haunted mansion.

Movie details

Dolls

“They walk. They talk. They kill.”

1987 Fantasy · Horror 1h 17m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A precocious girl, her nasty parents, two punk-rock losers and a weak-kneed salesman inadvertently become the guests of two ghoulish senior citizens in their dark, haunted mansion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dolls?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Eli

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Annabelle: Creation

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Several years after the tragic death of their little girl, a doll maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the doll maker's possessed creation—Annabelle.

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Names above the title

The people responsible.

Directed by

Stuart Gordon

Written by

Ed Naha

Ian Patrick Williams

Ian Patrick Williams

David Bower

Carolyn Purdy-Gordon

Carolyn Purdy-Gordon

Rosemary Bower

Carrie Lorraine

Carrie Lorraine

Judy Bower

Guy Rolfe

Guy Rolfe

Gabriel Hartwicke

Hilary Mason

Hilary Mason

Hilary Hartwicke

Bunty Bailey

Bunty Bailey

Isabel Prange

Cassie Stuart

Cassie Stuart

Enid

Court is in session

Put Dolls on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.