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Fargo

Fargo

Crime · Drama · Thriller · 1996

Jerry Lundegaard is a small-town Minnesota car salesman deeply in debt and willing to do almost anything to get out. Police chief Marge Gunderson discovers a string of violent crimes as Jerry's schemes spiral out of control.

Movie details

Fargo

“A lot can happen in the middle of nowhere.”

1996 Crime · Drama · Thriller 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Jerry Lundegaard is a small-town Minnesota car salesman deeply in debt and willing to do almost anything to get out. Police chief Marge Gunderson discovers a string of violent crimes as Jerry's schemes spiral out of control.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fargo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joel Coen

Written by

Ethan Coen · Joel Coen

Frances McDormand

Frances McDormand

Marge Gunderson

William H. Macy

William H. Macy

Jerry Lundegaard

Steve Buscemi

Steve Buscemi

Carl Showalter

Peter Stormare

Peter Stormare

Gaear Grimsrud

Harve Presnell

Harve Presnell

Wade Gustafson

John Carroll Lynch

John Carroll Lynch

Norm Gunderson

Kristin Rudrüd

Kristin Rudrüd

Jean Lundegaard

Court is in session

Put Fargo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.