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Strange Days

Strange Days

Crime · Science Fiction · Thriller · 1995

In the last days of 1999, ex-cop turned street hustler Lenny Nero receives a disc which contains the memories of the murder of a prostitute. With the help of bodyguard Mace, he starts to investigate and is pulled deeper and deeper in a whirl of murder, blackmail and intrigue.

Movie details

Strange Days

“You Know You Want It.”

1995 Crime · Science Fiction · Thriller 2h 25m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In the last days of 1999, ex-cop turned street hustler Lenny Nero receives a disc which contains the memories of the murder of a prostitute. With the help of bodyguard Mace, he starts to investigate and is pulled deeper and deeper in a whirl of murder, blackmail and intrigue.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Strange Days?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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8MM

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A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.

Graphic Desires

Graphic Desires

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The Last House on the Left

The Last House on the Left

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When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget.

Se7en

Se7en

Crime · 1995

Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.

The Substance

The Substance

Horror · 2024

A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.

Tightrope

Tightrope

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Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women. The murders are getting personal when the killer chooses victims who are acquaintances of Block. Even his daughters are threatened.

Cop

Cop

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An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.

Crimes of Passion

Crimes of Passion

Crime · 1984

Fashion designer Joanna Crane leads a double life. By night she is China Blue, a prostitute who's attracted the attention of a sexually frustrated private detective, and a psychopathic priest in possession of a murderous sex toy.

Coffy

Coffy

Crime · 1973

After her younger sister gets involved in drugs and is severely injured by contaminated heroin, a nurse sets out on a mission of vengeance and vigilante justice, killing drug dealers, pimps, and mobsters who cross her path.

Where it lives

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Names above the title

The people responsible.

Directed by

Kathryn Bigelow

Written by

James Cameron · Jay Cocks

Ralph Fiennes

Ralph Fiennes

Lenny Nero

Angela Bassett

Angela Bassett

Lornette 'Mace' Mason

Juliette Lewis

Juliette Lewis

Faith Justin

Tom Sizemore

Tom Sizemore

Max Peltier

Michael Wincott

Michael Wincott

Philo Gant

Vincent D'Onofrio

Vincent D'Onofrio

Burton Steckler

Glenn Plummer

Glenn Plummer

Jeriko One

Court is in session

Put Strange Days on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.