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Rasputin: The Mad Monk

Rasputin: The Mad Monk

Horror · 1966

Rasputin, a crazed and debauched monk wreaks havoc at the local inn one night, chopping off the hand of one of the drinkers. As the bitter locals plan their revenge, the evil Rasputin works his power over the beautiful women who serve at the Tsar's palace. Even the Tsarina herself is seduced by his evil ways and, as his influence begins to dominate government policy, there is only one course of action left... to destroy him before he destroys them all.

Movie details

Rasputin: The Mad Monk

“Ladies' Man - And Lady Killer!”

1966 Horror 1h 31m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Rasputin, a crazed and debauched monk wreaks havoc at the local inn one night, chopping off the hand of one of the drinkers. As the bitter locals plan their revenge, the evil Rasputin works his power over the beautiful women who serve at the Tsar's palace. Even the Tsarina herself is seduced by his evil ways and, as his influence begins to dominate government policy, there is only one course of action left... to destroy him before he destroys them all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rasputin: The Mad Monk?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Don Sharp

Written by

Anthony Hinds

Christopher Lee

Christopher Lee

Grigori Rasputin

Barbara Shelley

Barbara Shelley

Sonia

Richard Pasco

Richard Pasco

Dr. Zargo

Francis Matthews

Francis Matthews

Ivan

Suzan Farmer

Suzan Farmer

Vanessa

Dinsdale Landen

Dinsdale Landen

Peter

Renée Asherson

Renée Asherson

Tsarina

Court is in session

Put Rasputin: The Mad Monk on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.