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The Mephisto Waltz

The Mephisto Waltz

Horror · 1971

A frustrated pianist himself, music journalist Myles Clarkson is thrilled to interview virtuoso Duncan Ely. Duncan, however, is terminally ill and not much interested in Myles until noticing that Myles' hands are ideally suited for piano. Suddenly, he can't get enough of his new friend, and Myles' wife, Paula, becomes suspicious of Duncan's intentions. Her suspicions grow when Duncan dies and Myles mysteriously becomes a virtuoso overnight.

Movie details

The Mephisto Waltz

“...The Sound of Terror”

1971 Horror 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A frustrated pianist himself, music journalist Myles Clarkson is thrilled to interview virtuoso Duncan Ely. Duncan, however, is terminally ill and not much interested in Myles until noticing that Myles' hands are ideally suited for piano. Suddenly, he can't get enough of his new friend, and Myles' wife, Paula, becomes suspicious of Duncan's intentions. Her suspicions grow when Duncan dies and Myles mysteriously becomes a virtuoso overnight.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mephisto Waltz?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Wendkos

Written by

Ben Maddow

Alan Alda

Alan Alda

Myles Clarkson

Jacqueline Bisset

Jacqueline Bisset

Paula Clarkson

Barbara Parkins

Barbara Parkins

Roxanne Delancey

Bradford Dillman

Bradford Dillman

Bill Delancey

William Windom

William Windom

Dr. Roger West

Curd Jürgens

Curd Jürgens

Duncan Mowbray

Kathleen Widdoes

Kathleen Widdoes

Maggie West

Court is in session

Put The Mephisto Waltz on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.