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Body Bags

Body Bags

TV Movie · Horror · 1993

A horror anthology containing three stories: a female college student working a graveyard shift is terrorized by a serial killer; a hair transplant goes horribly wrong; and a baseball player loses an eye and gets a new one from a recently executed murderer.

Movie details

Body Bags

“Zip yourself in tight!”

1993 TV Movie · Horror 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A horror anthology containing three stories: a female college student working a graveyard shift is terrorized by a serial killer; a hair transplant goes horribly wrong; and a baseball player loses an eye and gets a new one from a recently executed murderer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Body Bags?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dr. Terror's House of Horrors

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Nosferatu

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Southbound

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The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.

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Names above the title

The people responsible.

Directed by

John Carpenter · Tobe Hooper · Larry Sulkis

Written by

Billy Brown · Dan Angel

John Carpenter

John Carpenter

Coroner

Tom Arnold

Tom Arnold

Man #1

Tobe Hooper

Tobe Hooper

Man #2

Robert Carradine

Robert Carradine

Bill

Alex Datcher

Alex Datcher

Anne

Peter Jason

Peter Jason

Gent

Molly Cheek

Molly Cheek

Divorcee

Court is in session

Put Body Bags on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.