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Anna Karenina

Anna Karenina

Drama · Romance · 1948

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted— but in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

Movie details

Anna Karenina

“Vivien Leigh— in the most magnificent love story ever written!”

1948 Drama · Romance 2h 19m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted— but in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Anna Karenina?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Julien Duvivier

Written by

Jean Anouilh · Julien Duvivier · Guy Morgan

Vivien Leigh

Vivien Leigh

Anna Karenina

Ralph Richardson

Ralph Richardson

Alexei Karenin

Kieron Moore

Kieron Moore

Count Vronsky

H

Hugh Dempster

Stefan Oblonsky

Mary Kerridge

Mary Kerridge

Dolly Oblonsky

Marie Lohr

Marie Lohr

Princess Scherbatsky

F

Frank Tickle

Prince Scherbatsky

Court is in session

Put Anna Karenina on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.